DISSERTATION

“Decadence: An Architectural Genealogy of Material, Style, and Lateness,” University of Michigan, 2019.

PUBLICATIONS

Architecture: Constructing Decadence,” The Oxford Handbook of Decadence, Oxford University Press, eds. Desmarais & Weir, 2021.

Immersed in Aqueous Atmospheres: Philip Johnson’s Open Glass,” Journal of Architectural Education 73:1 Atmospheres, 2019.

Decadent by Design: Interplays Between Architecture and Decadent Literature,” TEXT, special issue: Writing l Architecture, 2019.

CONFERENCE PRESENTATIONS

“Sacré-Coeur: The Decadent Monument Decadent Authors Would Not Embrace,” Concepts of Sacred Spaces in Architecture and its Description in Literature, Zurich, 2021.

“From River to Cathedral: J.-K. Huysmans’ Emotive Landscapes,” SAH 74th Annual International Conference, Virtual, 2021.

“Poetic Form Under Pressure in La Maison d’un Artiste,” SAH Annual Conference, Seattle, WA, 2020 .

“Disciplinary Decadence in Venice: Three Vignettes,” Italian Imprints: Influences and Issues in Architectural Culture in the Long 20th Century, Pennsylvania State University, University Park, PA, 2020.

“The Distance of Lateness: Charles Moore’s Domestic Fabrications,” “Distance Looks Back” EAHN-SAHANZ, University of Sydney, AU, 2019.

“The Architectural Model Divested of Function: Constructing a Site of Intersubjectivity,” Frascari Symposium IV, Kingston University, London, UK, 2019.  

“Charles Moore’s Watermelon Pyramid,” PLAY with the Rules: ACSA Fall Conference, Milwaukee, WI, 2018.

“From Caricature to Cabinet: Goncourt’s Narratives of Self and Home,” CAA Annual Conference, Los Angeles, CA, SAH session “Speech Balloons and Thought Bubbles: Architecture and Cartoons” 2018.

“From Supergraphics to Superobjects: Confounding Scales, Situating Subjects,” Imagined Forms: Modeling and Material Culture, Center for Material Culture Studies, University of Delaware, 2017.

“Philip Johnson’s Crystal Cathedral: Citing the Loss of Citation,” Quotation: 34th Annual SAHANZ Conference, Canberra, AU, 2017.

“Spectacles of Innocence: Denaturing Gender, Race and Age in Charles Moore’s Houses,” Architecture and Feminisms: 13th International AHRA Conference, KTH School of Architecture, Stockholm, Sweden, 2016.

“Sacre Coeur: Monument Of / Against Decadence,” The Medium and the Message: Re-evaluating Form and Meaning in European Architecture c. 1400-1950, University of Birmingham, UK, 2016.

“Edmond de Goncourt and Aesthetic Distanciation,” Nineteenth-Century French Studies Colloquium, UPR, San Juan, PR, 2014.

“Three of Architecture’s Fictions: Metaphor, Mechanism, Movement,” Facts and Fictions: AHRA Student Symposium, LTH, Lund, Sweden, 2013.

“Figuring Gothic Architecture through Decadent Poetics,” Decadent Poetics: Center for Victorian Studies, University of Exeter, UK, 2011.

“Ralph Adams Cram and Decadent Space: A Sacred Wasteland,” Uselessness: ICLS Graduate Conference, Columbia University, New York, NY, 2010.